Andy Warhol Movies

One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 24 seconds in length

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar...

"Andy Warhol's 1966 'sequel' to his Blow Job begins with a long static shot of Gregory Battcock looking bored; small movements of his head reframe...

The American poet John Ashbery. Shot one day when he visited the Factory. His suspicious expression does relax somewhat in the course of the film;...

People call each other up just to fight, such a scene in which Brigid Berlin fights on the phone with her mother about her weight and gorges herself...

Maureen Tucker, wearing a white turtleneck, has been posed against a dark backdrop, and is brightly lit from the right front, the left side of her...

Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down...

In 2024 Katie Trainor, MoMA’s film collections manager, and Greg Pierce, the Andy Warhol Museum’s then-director of film and video, worked...

Lou Reed faces the camera, posing with a large, partially unwrapped Hershey chocolate bar held up next to his face. He holds quite still throughout...

Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put...

The art collector Timothy Baum, in the mod style of the mid-1960s with a high collar and long sideburns, seems unable to relax, repeatedly...

François de Menil has been lit at a three-quarter angle from the left; he glances briefly at the camera and then stares straight in front of...

A young woman identified only as Virginia Tusi, is posed against a light plywood backdrop and wearing dangling, flower-shaped earrings. She looks...

Cathy James (also known as Catherine James) is posed in front of a purple background. The lighting seems not quite as severe as in her two other...

Edie Sedgwick, in an extremely tight close-up of her face, takes a drag from her cigarette. After one minute, there is an in-camera edit to a medium...

Andy Warhol Screen Test No. 335: Screen test of influential art critic Amy Taubin

Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.

Charles Aberg, in a black turtleneck sweater, squints warily at the camera, which films him in a tight close-up of his head.

Richard Rheem screen test by Andy Warhol.

Conventionally “soapish” drama focusing on Vivian, a broke aging actress who runs a rooming house for young girls and drag...